This sixteenth iteration of the Garage Exchange Vienna-Los Angeles exhibition series, brings together Christoph a. Kumpusch of Forward-slash ( / ) Architektur and artist Youmna Chlala.

Soft Schindler, curated by Mimi Zeiger, begins with traces of pink paint on redwood—faint evidence of when in late 1949 Pauline Schindler, estranged from her architect husband but living in half of the house they built together, painted her side of the interior salmon pink.

Before there was a gallery, the only items hanging above the garages at Schindler’s Mackey Apartments were sheets and clothing. A series of parallel clotheslines were rigged by the MAK Center Artists and Architects-in-Residence atop the once-gravel rooftop, picking up the sea air and Santa Ana winds crossing through Mid-City Los Angeles. For some years, generations of residents maintained this make-shift drying system prior to the installation of more high-tech appliances.

Group XLVII is comprised of: Eva Engelbert, Philipp Timischl and Jenni Tischer.

This exhibition springs from The House of Dust, a seminal yet under-recognized late 1960s work by Fluxus artist Alison Knowles.

Renowned London-based artist and writer Edmund de Waal made his first architectural intervention in the U.S. with an exhibition at the MAK Center.