For this tenth iteration of the Garage Exchange Vienna-Los Angeles exhibition series, former Artist-in-Residence Jun Yang worked together with L.A. artist Bruce Yonemoto.

The Stephanie Taylor Kong Boos—“song book,” with first and last letters rearranged—was an installation of sculpture, print works, and music throughout the landmark Schindler House on Kings Road that illustrated and expanded the narratives from six songs written by artist Stephanie Taylor between 2010 and 2014.

An exhibition by the 42nd group of MAK Center Artists and Architects-in-Residence.

Routine Pleasures brought together artists working in a variety of media to explore “the termite tendency,” a concept introduced by artist and film critic Manny Farber (1917–2008) in his 1962 essay “White Elephant Art vs. Termite Art.”

In its ninth iteration, the MAK Center’s Garage Exchange Vienna-Los Angeles exhibition series brought together former artist-in-residence Karina Nimmerfall and Los Angeles-based artist Morgan Fisher.

House Housing: An Untimely History of Architecture and Real Estate was part of an ongoing, multi-year research project conducted by the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University.

An exhibition by the 41st group of MAK Center Artists and Architects-in-Residence.

Austrian artist Erwin Wurm’s One Minute Sculptures have influenced a generation of sculptors, though this body of work had not previously been shown at a major institution in Los Angeles.

Upon invitation to return to Los Angeles and work with any local practitioner of his choosing, Vienna-based former MAK Center artist-in-residence Marko Lulić reached out to L.A.-based artist Sam Durant—since the 1990s the two have found a promising overlap in the way their practices have used historical reference as part of their long-term, contemporary political engagements.

An exhibition by the MAK Center’s Artists and Architects-in-Residence.