jas lin X FITNESSS Schindler House Haunting
Jas Lin 林思穎 restages their site-specific performance triptych, Schindler House Haunting, with FITNESSS in a fourth iteration for the West Hollywood Pride Arts Festival. Originally commissioned by homeLA as a part of the MAK Center for Art and Architecture centennial celebration Schindler House: 100 Years in the Making, this reverberation continues to build on R.M. Schindler’s “space architecture”, which shattered notions of useful domestic space partitioning interior and exterior, self and Other. Fear of the ghost is fear of the Other, both inside and outside of oneself– a gaze that turns queer, non-white, femme, wild bodies into ghosts. By embodying a figure of abjection and contradiction, Lin turns boundaries and binaries inside out, making visible the repression and oppression organized under dominant social frameworks. Paced to the duration of the sunset, the haunting moves with the ephemerality between lightness and darkness, contemplating the relationship between architecture, land, and spectral traces. The immersive musical score by FITNESSS is composed of breaths, creaks, and echoes resounding from both Lin’s body and the skeleton of the house.
Music/Sound Design by FITNESSS. Costume Design by aeon. Lighting Design by FITNESSS.
Flash warning: The second part of the performance contains flashing lights.
Please Note: All reservations need to be made through the Hit app. Reservations will open 6 days before the event. Please save the event on the Hit app. All users who are tracking the event will receive a push notification and in app notification when the event goes live. Reservations are being handled by the City of West Hollywood through the Hit app. Connect with them at www.thehitapp.co.
JAS LIN 林思穎
jas lin 林思穎 (they/them) is a performance artist, choreographer, and constant (un)becoming born and based on Tongva Land (Los Angeles). lin stages exorcisms and tantrums for purging choreographies of the learned body and shutting down internal and external surveillance cameras that suggest there is a Proper way to move through the world. their practice of deep feeling is invested in re-membering what the body has been manipulated into forgetting. they value performance as a ritual of deep presence — by returning to our senses, we can reawaken to our possibility, connection, and agency within the world around us. lin’s practice emerges from a vast lineage of teachers, from friendships to films to flowers. centering play in the everyday, they experiment with multiplicity and contradiction while dancing with the world as their body.
jas worships the elsewhere and the otherwise, and loves to co-create shared fugitive worlds and live in them. their choreographies, films, workshops, and lectures have been shared around the world, including at Danshallerne Copenhagen, MOCA Los Angeles, Power Station of Art Shanghai, and Mitski’s Laurel Hell Tour. jas is committed to the life-long process of un-learning and un-teaching hierarchical, Othering, and superficial ways of moving, being, sensing, and knowing. they believe movement to be a manifestation and actualization of potentiality — that together, we can dance the possible into being.
FITNESSS
FITNESSS is an artist who defies traditional categorizations. A FITNESSS performance is an expression of raw energy—creating immersive experiences that challenge conceptions of being and communion through movement, electronic sound architecture, and post-modern aesthetics. With an emphasis on audience involvement and collective presence, FITNESSS’ work explores the volatile nature of interpersonal dynamics, as well as the transformative power of crowd synchronization. FITNESSS has interfaced and collaborated with audiences around the world—most recently in Tokyo and southeast Asia.
ABOUT THE WEST HOLLYWOOD PRIDE ARTS FESTIVAL
Pride starts here. For decades, West Hollywood has been home to one of the largest annual Pride celebrations in the world, drawing hundreds of thousands of revelers each June. In 2022, the City of West Hollywood kicked-off its inaugural WeHo Pride, which included various programming from the City and its partners. WeHo Pride 2023 will kick things off on Harvey Milk Day, May 22, with the start of a 40-day WeHo Pride Arts Festival. Then, we’ll lead June Pride month celebrations with WeHo Pride Weekend from Friday, June 2, 2023 through Sunday, June 4, 2023 including a free weekend Street Fair. And don’t forget about our partners’ events such as the music festival OUTLOUD @ WeHo Pride, the annual Dyke March and Women’s Freedom Festival (details to be announced soon), and Sunday’s WeHo Pride Parade.
Supported in part by the 2023 West Hollywood Pride Arts Festival.
Pauline: An Opera
Initially staged by architects Frank Escher and Ravi GuneWardena in 2013, the interpretive opera set Pauline probes the personal and professional experiences that are as much a part of the history of the Schindler House as its design and construction.
1:1:2 at the Schindler House with Jessica Kim
What does it mean to eat a poem? Through poetry writing and eating, sugar papers and palettes, Vienna-based artists Yela An, Ting-Jung Chen and Miae Son ask how writers “transform feelings into words” and subsequently into confectionery. This performance invites Los Angeles poets alongside workshop participants, including literary and performance academics, to contribute texts centering on traditional poetic forms and structures found throughout Asia. Each of the poems will be inscribed with the four seasons, a critical element in poetry genres from Asia, and transposed into writing. Artist-produced sugar boards and ink serve as props to the literary workshop and performance, which will subsequently be consumed as an act of nourishment and pleasure-practice.
1:1:2 unfolds in three parts over three nights, featuring one poet/artist per night: through writing, reading, and digesting. This oratory and oral activity enacted within the Schindler House transforms the modernist house with Japanese associations into a staging ground for an exploration on the history of sweetness, consumption, and migration that spans continents.
YELA AN (ARTIST)
Yela An (b. 1987 in Seoul, Republic of Korea) has been creating artwork concerning the mass media’s former images of women and how they reflect the current state of gender (in)equality. Her interest lies in analyzing the present representation of Asian women within Asia as they fulfill an external stereotype supported by the occidental gaze. She is the recipient of the Artstart scholarship from Academy of Fine Art Vienna, the 2nd prize of the young photographers from Photon Centre for Contemporary Photography in Ljubljana, amongst many others. She partook in artist residency programs at Thealit Frauen.Kultur.Labor in Bremen, Germany, as well as at Kunstraum St. Virgil in Salzburg, Austria. Her works are selected for the permanent collection in Kupferstichkabinnet, Academy of Fine Arts Vienna, as well as in the Ministry of the Arts Culture, the Civil Service and Sport in Austria.
TING-JUNG CHEN (ARTIST)
Ting-Jung Chen’s (b. 1985 in Taipei, Taiwan) art praxis, which relates to historiography and cultural political semiotics, focuses on collective memories, appropriation, and processes of empowerment. By reproducing artifacts of the culture industry, representations of ideology, and their relationship to human beings, the artist explores transformations of identity and draws the overlapping culture mingling into a spatial atlas. She is the recipient of the DAAD Artist Program 2023, MAK-Schindlers-Scholarship 2019, and the Kunsthalle Wien Prize 2018. Her works have been shown in various venues internationally, including Belvedere 21erHaus, Vienna; Kunsthalle Wien (Vienna); Kunsthaus Hamburg; National Taiwan Museum of Fine Arts; Digital Arts Center, Taipei; 18 Street Art Center, Santa Monica, USA among many others. She is presenting her solo exhibition at the Taipei Fine Art Museum in August.
MIAE SON (ARTIST)
Miae Son (b. Seoul, South Korea) is based in Vienna. Since 2009 she has lived in Germany and Austria focusing on performative video and installation. The artist extracts precise moments of her everyday life as a migrant in Europe, which reflects the complexity of structural issues, that the artist deals with in her work. She studied sculpture in Seoul and Video installation in Bremen and Vienna. She has been awarded numerous grants and prizes, including START-Scholarship of the Federal Ministry for Culture(AT), Short Film Award of the FrauenFilmTage, ArtStart_Studio Scholarship. Her work has recently been presented in group, solo exhibition and at film festivals, such as Bildraum01, Schirn Kunsthalle Frankfurt, Charim Gallery, Diagonale Graz, Kassel DokFest, Kunsthalle Bremen.
LEONA CHEN (POET)
Leona Chen is the author of Book of Cord, her debut poetry collection exploring the loss of Taiwanese identity through colonization and emigration. Her poems explore histories both recognized and erased, becoming her own protest, journey of self-discovery, and rallying cry for the Taiwanese American community. She is the firstborn of parents raised under martial law in Taiwan, and the great-granddaughter of the aboriginal Ketagalan tribe’s last standing chief.
MEILING CHENG (POET)
Meiling Cheng (b. 1960 in Taipei, Taiwan) is an award-winning poet and essayist, having published numerous poems, short stories, personal essays, and art criticism articles in English and Chinese. The nexus of Dr. Cheng’s research is interdisciplinary performance and live art studies, an area of expertise she cultivated by integrating a strong visual art orientation to her doctoral training in contemporary and avant-garde theatres. She is professor of dramatic arts in theatre critical studies in the USC School of Dramatic Arts and is the author of In Other Los Angelesses: Multicentric Performance Art and Beijing Xingwei: Contemporary Performance: Theatricality Across Genres. She has curated, directed, and performed in live art events in Los Angeles, Seattle, and Tainan.
JESSICA KIM (POET)
Jessica Kim (she/her) is a Korean-American high school junior and poet who has lived in Korea, Singapore, and currently lives in Los Angeles, CA. She identifies as visually-impaired and advocates for the disabled community. Recently, she has been named the 2021-22 Los Angeles Youth Poet Laureate and runner-up for the 2022 United States National Youth Poet Laureate. She is the author of L(EYE)GHT, runner-up for the Animal Heart Press’ Chapbook Contest, which has been published in April 2022.
1:1:2 is part of the centennial celebration of the Schindler House, made possible with support from the Graham Foundation for Art and Architecture, City of West Hollywood, California Arts Council, Department of Cultural Affairs, Taiwan Academy of the Taipei Economic and Cultural Office in Los Angeles, the MAK Center Centennial Council, the MAK Center Patron program, and our sponsors.
Related
Exhibition
SCHINDLER HOUSE: 100 YEARS IN THE MAKING
May 28, 2022-September 25, 2022
Related
Events
Friday, September 9, 2022
6pm-8pm
Saturday, September 10, 2022
6pm-8pm
1:1:2 at the Schindler House with Leona Chen
What does it mean to eat a poem? Through poetry writing and eating, sugar papers and palettes, Vienna-based artists Yela An, Ting-Jung Chen and Miae Son ask how writers “transform feelings into words” and subsequently into confectionery. This performance invites Los Angeles poets alongside workshop participants, including literary and performance academics, to contribute texts centering on traditional poetic forms and structures found throughout Asia. Each of the poems will be inscribed with the four seasons, a critical element in poetry genres from Asia, and transposed into writing. Artist-produced sugar boards and ink serve as props to the literary workshop and performance, which will subsequently be consumed as an act of nourishment and pleasure-practice.
1:1:2 unfolds in three parts over three nights, featuring one poet/artist per night: through writing, reading, and digesting. This oratory and oral activity enacted within the Schindler House transforms the modernist house with Japanese associations into a staging ground for an exploration on the history of sweetness, consumption, and migration that spans continents.
YELA AN (ARTIST)
Yela An (b. 1987 in Seoul, Republic of Korea) has been creating artwork concerning the mass media’s former images of women and how they reflect the current state of gender (in)equality. Her interest lies in analyzing the present representation of Asian women within Asia as they fulfill an external stereotype supported by the occidental gaze. She is the recipient of the Artstart scholarship from Academy of Fine Art Vienna, the 2nd prize of the young photographers from Photon Centre for Contemporary Photography in Ljubljana, amongst many others. She partook in artist residency programs at Thealit Frauen.Kultur.Labor in Bremen, Germany, as well as at Kunstraum St. Virgil in Salzburg, Austria. Her works are selected for the permanent collection in Kupferstichkabinnet, Academy of Fine Arts Vienna, as well as in the Ministry of the Arts Culture, the Civil Service and Sport in Austria.
TING-JUNG CHEN (ARTIST)
Ting-Jung Chen’s (b. 1985 in Taipei, Taiwan) art praxis, which relates to historiography and cultural political semiotics, focuses on collective memories, appropriation, and processes of empowerment. By reproducing artifacts of the culture industry, representations of ideology, and their relationship to human beings, the artist explores transformations of identity and draws the overlapping culture mingling into a spatial atlas. She is the recipient of the DAAD Artist Program 2023, MAK-Schindlers-Scholarship 2019, and the Kunsthalle Wien Prize 2018. Her works have been shown in various venues internationally, including Belvedere 21erHaus, Vienna; Kunsthalle Wien (Vienna); Kunsthaus Hamburg; National Taiwan Museum of Fine Arts; Digital Arts Center, Taipei; 18 Street Art Center, Santa Monica, USA among many others. She is presenting her solo exhibition at the Taipei Fine Art Museum in August.
MIAE SON (ARTIST)
Miae Son (b. Seoul, South Korea) is based in Vienna. Since 2009 she has lived in Germany and Austria focusing on performative video and installation. The artist extracts precise moments of her everyday life as a migrant in Europe, which reflects the complexity of structural issues, that the artist deals with in her work. She studied sculpture in Seoul and Video installation in Bremen and Vienna. She has been awarded numerous grants and prizes, including START-Scholarship of the Federal Ministry for Culture(AT), Short Film Award of the FrauenFilmTage, ArtStart_Studio Scholarship. Her work has recently been presented in group, solo exhibition and at film festivals, such as Bildraum01, Schirn Kunsthalle Frankfurt, Charim Gallery, Diagonale Graz, Kassel DokFest, Kunsthalle Bremen.
LEONA CHEN (POET)
Leona Chen is the author of Book of Cord, her debut poetry collection exploring the loss of Taiwanese identity through colonization and emigration. Her poems explore histories both recognized and erased, becoming her own protest, journey of self-discovery, and rallying cry for the Taiwanese American community. She is the firstborn of parents raised under martial law in Taiwan, and the great-granddaughter of the aboriginal Ketagalan tribe’s last standing chief.
MEILING CHENG (POET)
Meiling Cheng (b. 1960 in Taipei, Taiwan) is an award-winning poet and essayist, having published numerous poems, short stories, personal essays, and art criticism articles in English and Chinese. The nexus of Dr. Cheng’s research is interdisciplinary performance and live art studies, an area of expertise she cultivated by integrating a strong visual art orientation to her doctoral training in contemporary and avant-garde theatres. She is professor of dramatic arts in theatre critical studies in the USC School of Dramatic Arts and is the author of In Other Los Angelesses: Multicentric Performance Art and Beijing Xingwei: Contemporary Performance: Theatricality Across Genres. She has curated, directed, and performed in live art events in Los Angeles, Seattle, and Tainan.
JESSICA KIM (POET)
Jessica Kim (she/her) is a Korean-American high school junior and poet who has lived in Korea, Singapore, and currently lives in Los Angeles, CA. She identifies as visually-impaired and advocates for the disabled community. Recently, she has been named the 2021-22 Los Angeles Youth Poet Laureate and runner-up for the 2022 United States National Youth Poet Laureate. She is the author of L(EYE)GHT, runner-up for the Animal Heart Press’ Chapbook Contest, which has been published in April 2022.
1:1:2 is part of the centennial celebration of the Schindler House, made possible with support from the Graham Foundation for Art and Architecture, City of West Hollywood, California Arts Council, Department of Cultural Affairs, Taiwan Academy of the Taipei Economic and Cultural Office in Los Angeles, the MAK Center Centennial Council, the MAK Center Patron program, and our sponsors.
Related
Exhibition
SCHINDLER HOUSE: 100 YEARS IN THE MAKING
May 28, 2022-September 25, 2022
Related
Events
Friday, September 9, 2022
6pm-8pm
Sunday, September 11, 2022
6pm-8pm
1:1:2 at the Schindler House with Meiling Cheng and Artist Reception
What does it mean to eat a poem? Through poetry writing and eating, sugar papers and palettes, Vienna-based artists Yela An, Ting-Jung Chen and Miae Son ask how writers “transform feelings into words” and subsequently into confectionery. This performance invites Los Angeles poets alongside workshop participants, including literary and performance academics, to contribute texts centering on traditional poetic forms and structures found throughout Asia. Each of the poems will be inscribed with the four seasons, a critical element in poetry genres from Asia, and transposed into writing. Artist-produced sugar boards and ink serve as props to the literary workshop and performance, which will subsequently be consumed as an act of nourishment and pleasure-practice.
1:1:2 unfolds in three parts over three nights, featuring one poet/artist per night: through writing, reading, and digesting. This oratory and oral activity enacted within the Schindler House transforms the modernist house with Japanese associations into a staging ground for an exploration on the history of sweetness, consumption, and migration that spans continents.
YELA AN (ARTIST)
Yela An (b. 1987 in Seoul, Republic of Korea) has been creating artwork concerning the mass media’s former images of women and how they reflect the current state of gender (in)equality. Her interest lies in analyzing the present representation of Asian women within Asia as they fulfill an external stereotype supported by the occidental gaze. She is the recipient of the Artstart scholarship from Academy of Fine Art Vienna, the 2nd prize of the young photographers from Photon Centre for Contemporary Photography in Ljubljana, amongst many others. She partook in artist residency programs at Thealit Frauen.Kultur.Labor in Bremen, Germany, as well as at Kunstraum St. Virgil in Salzburg, Austria. Her works are selected for the permanent collection in Kupferstichkabinnet, Academy of Fine Arts Vienna, as well as in the Ministry of the Arts Culture, the Civil Service and Sport in Austria.
TING-JUNG CHEN (ARTIST)
Ting-Jung Chen’s (b. 1985 in Taipei, Taiwan) art praxis, which relates to historiography and cultural political semiotics, focuses on collective memories, appropriation, and processes of empowerment. By reproducing artifacts of the culture industry, representations of ideology, and their relationship to human beings, the artist explores transformations of identity and draws the overlapping culture mingling into a spatial atlas. She is the recipient of the DAAD Artist Program 2023, MAK-Schindlers-Scholarship 2019, and the Kunsthalle Wien Prize 2018. Her works have been shown in various venues internationally, including Belvedere 21erHaus, Vienna; Kunsthalle Wien (Vienna); Kunsthaus Hamburg; National Taiwan Museum of Fine Arts; Digital Arts Center, Taipei; 18 Street Art Center, Santa Monica, USA among many others. She is presenting her solo exhibition at the Taipei Fine Art Museum in August.
MIAE SON (ARTIST)
Miae Son (b. Seoul, South Korea) is based in Vienna. Since 2009 she has lived in Germany and Austria focusing on performative video and installation. The artist extracts precise moments of her everyday life as a migrant in Europe, which reflects the complexity of structural issues, that the artist deals with in her work. She studied sculpture in Seoul and Video installation in Bremen and Vienna. She has been awarded numerous grants and prizes, including START-Scholarship of the Federal Ministry for Culture(AT), Short Film Award of the FrauenFilmTage, ArtStart_Studio Scholarship. Her work has recently been presented in group, solo exhibition and at film festivals, such as Bildraum01, Schirn Kunsthalle Frankfurt, Charim Gallery, Diagonale Graz, Kassel DokFest, Kunsthalle Bremen.
LEONA CHEN (POET)
Leona Chen is the author of Book of Cord, her debut poetry collection exploring the loss of Taiwanese identity through colonization and emigration. Her poems explore histories both recognized and erased, becoming her own protest, journey of self-discovery, and rallying cry for the Taiwanese American community. She is the firstborn of parents raised under martial law in Taiwan, and the great-granddaughter of the aboriginal Ketagalan tribe’s last standing chief.
MEILING CHENG (POET)
Meiling Cheng (b. 1960 in Taipei, Taiwan) is an award-winning poet and essayist, having published numerous poems, short stories, personal essays, and art criticism articles in English and Chinese. The nexus of Dr. Cheng’s research is interdisciplinary performance and live art studies, an area of expertise she cultivated by integrating a strong visual art orientation to her doctoral training in contemporary and avant-garde theatres. She is professor of dramatic arts in theatre critical studies in the USC School of Dramatic Arts and is the author of In Other Los Angelesses: Multicentric Performance Art and Beijing Xingwei: Contemporary Performance: Theatricality Across Genres. She has curated, directed, and performed in live art events in Los Angeles, Seattle, and Tainan.
JESSICA KIM (POET)
Jessica Kim (she/her) is a Korean-American high school junior and poet who has lived in Korea, Singapore, and currently lives in Los Angeles, CA. She identifies as visually-impaired and advocates for the disabled community. Recently, she has been named the 2021-22 Los Angeles Youth Poet Laureate and runner-up for the 2022 United States National Youth Poet Laureate. She is the author of L(EYE)GHT, runner-up for the Animal Heart Press’ Chapbook Contest, which has been published in April 2022.
1:1:2 is part of the centennial celebration of the Schindler House, made possible with support from the Graham Foundation for Art and Architecture, City of West Hollywood, California Arts Council, Department of Cultural Affairs, Taiwan Academy of the Taipei Economic and Cultural Office in Los Angeles, the MAK Center Centennial Council, the MAK Center Patron program, and our sponsors.
Related
Exhibition
SCHINDLER HOUSE: 100 YEARS IN THE MAKING
May 28, 2022-September 25, 2022
Related
Events
Saturday, September 10, 2022
6pm-8pm
Sunday, September 11, 2022
6pm-8pm
jas lin 林思穎 Schindler House Haunting
The MAK Center for Art and Architecture and homeLA are pleased to announce a collaboration in the Schindler House culminating in a performance event in summer 2022, featuring new work by jas lin sited in the landscape and architecture of the house on Kings Road.
jas lin 林思穎 Schindler House Haunting
The MAK Center for Art and Architecture and homeLA are pleased to announce a collaboration in the Schindler House culminating in a performance event in summer 2022, featuring new work by jas lin sited in the landscape and architecture of the house on Kings Road.
Zina Saro-Wiwa: The Illicit Gin Institute Assemblies: Assembly III
In a newly commissioned series by Active Cultures, British-Nigerian artist Zina Saro-Wiwa will present the inaugural public Illicit Gin Institute Assemblies, three special evenings in Fall 2021, produced in partnership with the MAK Center for Art and Architecture and hosted at the Schindler House in West Hollywood.
Zina Saro-Wiwa: The Illicit Gin Institute Assemblies: Assembly II
In a newly commissioned series by Active Cultures, British-Nigerian artist Zina Saro-Wiwa will present the inaugural public Illicit Gin Institute Assemblies, three special evenings in Fall 2021, produced in partnership with the MAK Center for Art and Architecture and hosted at the Schindler House in West Hollywood.
Zina Saro-Wiwa: The Illicit Gin Institute Assemblies: Assembly I
In a newly commissioned series by Active Cultures, British-Nigerian artist Zina Saro-Wiwa will present the inaugural public Illicit Gin Institute Assemblies, three special evenings in Fall 2021, produced in partnership with the MAK Center for Art and Architecture and hosted at the Schindler House in West Hollywood.
AMEND
An exhibition and series of four performances by multi-disciplinary artist Chris Emile, AMEND explores Black male identity through movement, cinema, sculpture and sound. Emile employs archival & contemporary found footage with artifactual set design to re-render the modern architectural marvel that is the Schindler House into a sacred, private place: a home amenable for Black dealing and healing. An intergenerational cast of three dancers acting as one man, move the audience through the house and through time working their way through the question: who, if not me, decides what a Black man is?
Chris Emilie x The Kennedy Center
Presented by the Kennedy Center’s new online Couch Concert Series, multi-disciplinary artist Chris Emile presents a 30 minute solo performance accompanied by DJFM. The solo will take place in the MAK Center’s Garage Top, and will encompass the fleeting/hard hitting feelings of joy, anxiety, and unsureness that inhabit us all during these times. Following the performance by Chris Emile, meditation and movement practitioner Nkechi Njaka will be streamed with her partner Tauwoo from Northern California.
Scoring, Building: Iteration III
Scoring, Building is a new project by Michelle JaJa Chang that investigates architecture as an allographic or notational art. The work is a temporary and durational intervention in the courtyard of the Mackey Apartments. The project proposes an architectural instantiation from the basis of a score, written by the architect, which is then translated into instructions for the construction of the installation itself. The work is action-based, slowing down and reframing the activities of conventional drywall construction to focus on-site preparation (measuring, documenting, marking); framing construction (stacking, ordering, assembling), and drywall installation (scoring, affixing, finishing), rather than material assemblage. The installation is scored in three recursive “iterations”, each one accompanied by a public program in order to unpack the ideas of the installation itself. Alongside the physical installation, the project is distributed through a live audio feed of the on-site construction, and documentary photography by Tag Christof. Scoring, Building is commissioned by Materials & Applications as the winning project of an open call for projects in 2018.
Scoring, Building: Iteration II
Scoring, Building is a new project by Michelle JaJa Chang that investigates architecture as an allographic or notational art. The work is a temporary and durational intervention in the courtyard of the Mackey Apartments. The project proposes an architectural instantiation from the basis of a score, written by the architect, which is then translated into instructions for the construction of the installation itself. The work is action-based, slowing down and reframing the activities of conventional drywall construction to focus on-site preparation (measuring, documenting, marking); framing construction (stacking, ordering, assembling), and drywall installation (scoring, affixing, finishing), rather than material assemblage. The installation is scored in three recursive “iterations”, each one accompanied by a public program in order to unpack the ideas of the installation itself. Alongside the physical installation, the project is distributed through a live audio feed of the on-site construction, and documentary photography by Tag Christof. Scoring, Building is commissioned by Materials & Applications as the winning project of an open call for projects in 2018.
Scoring, Building: Iteration I
Scoring, Building is a new project by Michelle JaJa Chang that investigates architecture as an allographic or notational art. The work is a temporary and durational intervention in the courtyard of the Mackey Apartments. The project proposes an architectural instantiation from the basis of a score, written by the architect, which is then translated into instructions for the construction of the installation itself. The work is action-based, slowing down and reframing the activities of conventional drywall construction to focus on-site preparation (measuring, documenting, marking); framing construction (stacking, ordering, assembling), and drywall installation (scoring, affixing, finishing), rather than material assemblage. The installation is scored in three recursive “iterations”, each one accompanied by a public program in order to unpack the ideas of the installation itself. Alongside the physical installation, the project is distributed through a live audio feed of the on-site construction, and documentary photography by Tag Christof. Scoring, Building is commissioned by Materials & Applications as the winning project of an open call for projects in 2018.
SASSAS: 20 Years of Sound
SASSAS is celebrating 20 years of it’s flagship concert series, sound. on September 27 – 29 with an installation of videos and ephemera from the SASSAS Archives at the MAK Center for Art and Architecture at the Schindler House. The installation features premieres of full length documentation from concerts by Glenn Branca, Kelan Phil Cohran, Extended Organ featuring Mike Kelley, Joseph Jarman, Pauline Oliveros, James Tenney and more. On Sunday the 29th, a closing event will include a performance of Rod Poole’s Voice of the Bowed Guitar, the first work presented at the Schindler House when sound. relocated from San Pedro in 2000. The closing event is free and open to the public 4PM – 8PM with the performance starting at 7PM.
Shelter or Playground: Closing and Performances
This exhibition springs from The House of Dust, a seminal yet under-recognized late 1960s work by Fluxus artist Alison Knowles. Originally called The Play House, this intermedia piece serves as an entry point into contemporary investigation of the relationships between architecture, technology, and performance. In a text titled Shelter or Playground, R.M. Schindler described his house as a “playground” that “grows with its inhabitants” and where “life will regain its fluidity.” Today, the house open its doors to contemporary artists who have been invited to produce site-specific works, responding to both architectures by Schindler and Knowles and translating them into multiple performative forms.
Shelter or Playground: Performance Program: Day II
This exhibition springs from The House of Dust, a seminal yet under-recognized late 1960s work by Fluxus artist Alison Knowles. Originally called The Play House, this intermedia piece serves as an entry point into contemporary investigation of the relationships between architecture, technology, and performance. In a text titled Shelter or Playground, R.M. Schindler described his house as a “playground” that “grows with its inhabitants” and where “life will regain its fluidity.” Today, the house open its doors to contemporary artists who have been invited to produce site-specific works, responding to both architectures by Schindler and Knowles and translating them into multiple performative forms.
Shelter or Playground: Performance Program: Day I
This exhibition springs from The House of Dust, a seminal yet under-recognized late 1960s work by Fluxus artist Alison Knowles. Originally called The Play House, this intermedia piece serves as an entry point into contemporary investigation of the relationships between architecture, technology, and performance. In a text titled Shelter or Playground, R.M. Schindler described his house as a “playground” that “grows with its inhabitants” and where “life will regain its fluidity.” Today, the house open its doors to contemporary artists who have been invited to produce site-specific works, responding to both architectures by Schindler and Knowles and translating them into multiple performative forms.
Architecture for HOMIES
Architecture for Homies was part of the ongoing housing research and design project The Machine is Broken!. Guillermo Acosta, Alejandra Avalos and Alan Ríos explored new ways of understanding and creating private space. For this event, the second of a series of three, they showcased several explorations on domesticity by hosting an Open Studio. Thinking of “home” as a state of mind instead of only a physical building, what are the elements that define “home” in 2018?
[sort of] OPEN HOUSE - Living Spaces Through Social Media
[sort of] OPEN HOUSE was part of the ongoing housing research and design project The Machine is Broken!. Guillermo Acosta, Alejandra Avalos, and Alan Ríos explored new ways of understanding and creating private space. For this event they explored the implications social media has on the physical and virtual spaces we inhabit by a series of installations. How can people experience spaces when they are physically somewhere but virtually elsewhere?
Opera Povera
Opera Povera at the Schindler House was a program highlighting the work of the experimental opera company with open rehearsals, two performances, and an accompanying display of related dramaturgy featuring the artists, designers, composers and performers with whom Opera Povera has created new works.
Modern Living
Modern Living, a project by Gerard & Kelly, explored themes of queer intimacy and domestic space within legacies of modernist architecture. The project unfolded in two chapters, beginning with performances at the Schindler House and continuing at The Glass House in New Canaan, CT, in May 2016.
Manifestos
It’s a celebration!
A book release!
A reading and performance!
A public writing workshop followed by an open mic! .
A two-day literary event celebrating 10 years of Les Figues Press and the
Scott Benzel: Op. 21: Inner Experience Fellowship/Friends of Crime
The MAK Center presented a new work by composer Scott Benzel: Op. 21: Inner Experience Fellowship/Friends of Crime prepared for piano, vintage electronics, guitar, experimental percussion, tape loop, gong, and central mixing station. The one-day only, 9-hour performance took place at the Schindler-designed Fitzpatrick-Leland House.
Sound. at the Schindler House 2014: Space as Raw Material
The Society for the Activation of Social Space through Art and Sound (SASSAS), in conjunction with the MAK Center for Art and Architecture, presented sound. at the Schindler House 2014: Space as Raw Material with Woody Sullender, Odeya Nini and Carmina Escobar. Space as Raw Material embraced the intersections of divergent creative practices, including architecture and sound, performance and installation.
Pauline
In an early letter, Pauline Schindler wrote, “One of my dreams, Mother, is to have, someday, a little joy of a bungalow, on the edge of the woods and mountains near a crowded city, which shall be open just as some people’s hearts are open, to friends of all classes and types…”. Pauline realized that dream with her marriage to architect Rudolph Schindler. Together they built the 1922 home that would come to be known as the Schindler House, a modernist landmark. Pauline’s radical social ideas informed its design as a live/work space for two couples, and Los Angeles’ artistic and political avant-garde flocked to her salons for decades. The MAK Center for Art and Architecture was conceived in this spirit.
ARTISTS + INSTITUTIONS: Common Ground
ARTISTS + INSTITUTIONS: Common Ground was a live public participatory event at the Schindler House, organized by MAK Center Director Kimberli Meyer, and artists David Burns of Fallen Fruit and Sara Daleiden of the Los Angeles Urban Rangers. The program featured artist Sarah Beadle and Notch, an ensemble collective that produces ephemeral culinary and service interventions. Artist Christina Sanchez produced dialogical prompts for public discussion. The public was invited to join in table discussions hosted by special guest artists and representatives of art institutions of Los Angeles.
Rehearsal/Recording
When R.M. Schindler’s landmark Kings Road House was built in 1922 in what was a yet to be fully developed area of Los Angeles, it must have been an exotic encounter for passersby. Artist Ann Trondson’s performance was an inquiry into how this radically different building may have been experienced. What would it have been like to come upon such an extraordinary house, particularly at night?
Sound. at the Schindler House 2012: Tape Music
Co-presented by the MAK Center and SASSAS, sound. at the Schindler House: Tape Music was a rare concert of music composed for reel-to-reel tape. The unique architecture of the Schindler House created multiple areas in which this historic form was revisited.