A performance designed for the grounds of the Schindler House featuring Anita Pace (choregraphy:projection), Tom Recchion (tapes, samples, homemade instruments), Liz Young (performance), Vetza (vocals, cello), and Tom Shepard (shakuhachi, flute, saxophone).
(SOUND WITHIN THE CONTEXT) combined the unique structure and grounds of the Schindler House with the dense sound textures of the Chopped Optigan to create an improvised performance environment. About (SOUND WITHIN THE CONTEXT) Potts writes “The Optigan will play a loop based pattern of sounds which will slowly evolve over a two hour period. During the two hours the other performers will present corresponding works simultaneously in other areas of the house and garden. The audience can move through the space and experience subtle, continually shifting juxtapositions in the audio and visual environment.”
Related
Events
Friday, June 28, 2002
7-9pm
Saturday, June 29, 2002
2-4pm
Saturday, August 24, 2002
2-4pm
Friday, September 20, 2002
2-4pm
Saturday, September 21, 2002
2-4pm