PER / TRANS: Performing the Cube, Transforming the Cube: Publication Launch and Panel Discussion

During visits to Los Angeles, Sandra Peters became preoccupied with the work of architect R.M. Schindler: from installations that resemble portraits of some individual Schindler houses to a cube structure (Interface No. 1) responding to the bilateral-diagonal roof configuration of the How House (1925), Schindler’s work became the point of departure for the artist’s multifaceted confrontation with the form of the cube that is documented within this publication.